Road of the dead film
Edwin Jenner, the agency's last remaining employee.
In the show: In search of answers, the group reaches the CDC and is reluctantly allowed in by Dr. The Centers for Disease Control and Prevention (CDC)Īddress: 2800 Cobb Galleria Pkwy, Atlanta, GA 30339įirst appeared: Season 1, Episode 5 - "Wildfire" My suggestion is to see it on Netflix ASAP, so you can sit as close to the front of the bandwagon as you can.4. This kind of raw energy doesn’t come along often.
Road of the dead film movie#
These absurd plates all spin at dizzying speeds, but make for quite an impressive display.įrom a cult perspective, if not a wider one, Wyrmwood is going to be important, the sort of movie cited as a milestone accomplishment that most will find more enjoyable than the bigger films it might inspire, a piece of cultural currency that every horror fan will hold in their back pocket for canonical discussions. Now you know why that’s a bad place to start, but, if you haven’t seen the film, what you don’t know is that it all works. Within that straightforward narrative line, there exists enough monsters, madness, and mayhem to appeal to the most manic of viewers, but also pivotal to the plot, the zombies created by a falling star breathe gasoline and are physically configured to fuel the customized battle truck driven by Barry and his friends and the experimentation upon Bianca somehow renders her capable of telepathically controlling zombies. The three men head to Bulla, Victoria in search of Barry’s sister Brooke (Bianca Bradey), who has been captured by and is being experimented upon by a mad doctor (Berryn Schwerdt). His eventual comrades in combat, Benny (Leon Burchill) and Frank (Keith Agius) provide both comedic counterbalance and strangely philosophical and poetic contribution. After a tragic opening chapter, Barry carries the unshakable hefty weight of mourning that manifests as determined rage, and he joins forces with a number of fellow survivors.
The movie begins with Barry (Jay Gallagher) centered as the film’s protagonist, a brawny, bearded mechanic who is evidently one of those folks you want to have around when the apocalyptic shit hits the global fan.
There exists so much busyness within the frame that it probably sounds even more unlikely when I assert that, at its core, Wyrmwood is a character film. Seriously, this movie is a wet dream for an advertising team. Each scene (if you could stabilize the frenetic camerawork of cinematographer Tim Nagle) is loaded with poster ready shots. To put it plainly, there’s a notable undertone of glee running through this movie, a sense that everyone involved is recklessly giving it his/her best out of joy and passion for the form. And it’s all spearheaded by a soon-to-be-iconic horror queen, a pint sized but agile survivor who goes from rafter swinging badassery to calm command of her own army.
Overview: This zombie feature moves with the propulsive and maniacal energy of a young George Miller, bumping back and forth between the over-the-top eruptive, screen splattering gore of Sam Raimi and the charm, wit, and comradery of Edgar Wright’s Shaun of the Dead. Director Kiah Roach-Turner and his co-writer Tristan Roache Turner exhibit in Wyrmwood everything that film and horror fans traditionally love in these types of small but ballsy movies. It might be more important to start with the deserved and flattering comparisons earned by the film’s ballsy, pedal-to-the-medal style and story. That might go a long way in explaining why Wyrmwood: Road of the Dead, at least in America, has been a little slow in attaining the cult following for which it seems destined. Synopsis: If I were to start with a detailed plot summation, I would almost certainly lose you by the second sentence.